Ahmed Sinai—Doctor Suresh Narlikar
Midnight's ChildrenAhmed Sinai and Doctor Suresh Narlikar form a partnership around a project to reclaim land from the sea with concrete tetrapods. Their alliance joins Ahmed’s search for a substitute for the intimacy his body no longer permits with Narlikar’s zeal for preventing further births and expanding the land available to the country. It ends in an abrupt reversal: Narlikar dies beside the project’s emblematic tetrapod, and his female relatives take over the business and cut Ahmed out of the scheme.
Origins of the Partnership
After the freezing of Ahmed’s assets had ended, its bodily consequences remained. His sexual function did not return, despite his private fantasies, and he eventually confided to Narlikar that he had lost interest in sex. Narlikar, a gynecologist and birth-control advocate, welcomed the disclosure as evidence of shared values: he cast abstaining from procreation as a form of public service and proposed that their energies instead go toward giving people more land. Ahmed raised a toast with him to their joint ambition and its concrete instruments, the tetrapods.
The project therefore became more than a business venture for Ahmed. By the end of 1956, he treated the reclamation scheme as a surrogate for sexual activity denied to him after the freeze. Yet he approached it differently from his earlier financial dealings: he spent cautiously, remained behind the scenes, and kept his name off documents, having learned to avoid attracting attention. The careful arrangement made Narlikar’s role central while leaving Ahmed’s own stake difficult to establish on paper.
The Tetrapod and Narlikar’s Death
The scheme’s public symbol was a single tetrapod installed on the sea-wall with the Municipal Corporation’s permission. Narlikar had arranged for it to stand as an icon of the future. On a visit near Marine Drive, he encountered beggar-women performing puja around it: they lit oil-lamps, marked its raised tip with the OM symbol, and washed it in worship. To Narlikar, the transformation of a technological object into a Shiva-lingam represented the resurgence of the procreative forces his ideology opposed. He disrupted the worship and insulted the women; language marchers who had been passing nearby turned against him after witnessing the confrontation.
The marchers silently rocked the tetrapod until it tipped toward the water. Narlikar clung to the structure, and both fell into the sea. He was crushed by the weight of the concrete object that embodied his own project. The episode turns the partnership’s central instrument into the cause of its promoter’s death: the tetrapod meant to begin the reclamation of land instead carries Narlikar out to sea, and the event leaves the fate of the business in other hands.
The Partnership’s Aftermath
Ahmed refused to attend Narlikar’s funeral and would not speak of his former friend by name, calling him only a traitor. The rupture is not explained as a simple dispute between the two men: Narlikar died without leaving a record of Ahmed’s involvement in the scheme. That absence matters. Ahmed had deliberately kept his name off documents, but the discretion that once seemed prudent now left him without a documented claim when control passed to Narlikar’s heirs.
Two days after news of the death appeared in the papers, Narlikar’s previously unseen female relations arrived in force. They took over the nursing home, investigated his business dealings, and excluded Ahmed from the tetrapod venture. After years of investment and association with the project, he was left with nothing but a hole in his pocket. His partnership with Narlikar thus ends not in a negotiated settlement but in a transfer of authority: Narlikar’s relatives inherit the practical control that Ahmed had failed to secure in writing.
Meaning of the Alliance
The tetrapod scheme brings together two forms of calculation. Narlikar presents the rejection of procreation as a civic virtue and land reclamation as its constructive alternative; Ahmed turns the same project into a personal substitute for a life his body has made unavailable. Their toast briefly makes those interests sound identical. The project’s scale and rhetoric conceal how differently each man needs it, and Narlikar’s death reveals that their alliance has no durable foundation beyond the venture itself.
The ending also gives the partnership a material irony. Ahmed’s caution is meant to protect him from the consequences of exposure, but concealing his name leaves him vulnerable when the business is redistributed. The tetrapod, meanwhile, passes from planned infrastructure to sacred object and then to the instrument of Narlikar’s death. Through these reversals, the scheme that promised to make new ground becomes the means by which Ahmed loses his place in the enterprise and enters a long decline.